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But when she decently calls him out and insists he stops following her, he listens. He joins the class and starts following her as she makes her way back home. Ram, being the obsessive Selvaraghavan hero he is, does his own bit of stalking, finds out her school from her uniform and follows her to her tuition class.
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She senses trouble, quickly says thank you and leaves. He fixes it, looks at her and asks, “which school?”. It’s raining and Janani’s cycle chain is broken and Ram gets off his bike to help her fix it. This leads to a beautifully ordinary love at first sight scene. We cut to Ram and we see him eating fruits out of a bowl using a fork and a moment later, his mother brings him his lunchbox and she says she has packed chicken curry and fish fry. Janani is getting ready for school and you hear her mother shouting from the kitchen asking her if she should pack curd rice for lunch. Like the simple yet effective way we’re introduced to both Ram (Dhanush) and Janani (Shruti Haasan) and their respective backgrounds.
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Dialogues and scenes in these portions feel so real, so “lived in”. But that’s not to takeaway anything from Aishwarya Dhanush’s work in this film because watching 3 that night in GanapathyRam, after all that hype had died down, didn’t feel like just another movie…it felt like a discovery.Ī reason for this is how brilliantly adept Aishwarya Dhanush is at handling teenage romance. I would even go so far as to call it the most Selvaraghavanesque non-Selvaraghavan film. But 3 was ambitious and experimental, a tad too much for the guy who just wanted to go to the theatre to witness this blue whale of a song play out on the big screen.